Who is really leeching on who?

Who is really leeching on who?

Now, I am no Apple fan by any stretch of the road, but read this out fully before
you mac addicts burst up in flames.
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iTunes is a vampire/leech/whatever bad description you can think of.
It has been stated by record companies aswell as artists, the self same companies
are also bashing spotify, however, they themselves own a majority in spotify.
It seems that the record companies really are scared that they are becoming
obsolete and that people are starting to realize it. Here’s a little thing about
those comments of “leeches” and similar that the record companies probably
doesnt want you to read, since reading may be caused by independent thought.

Ok, I can see that the artists that create a song wants to generate
a revenue stream. I dont begrudge them a revenue, but it is not something
that can be considered a “right” that just because you made a song,
you will make money of it. Let me give you a case in point:

The swedish edition of Absolute music 66 consists of the following lineup:

1. Born this way – Lady Gaga
2. In the club – Danny Saucedo
3. Just the way you are – Bruno Mars
4. Leaving home – Nicke Borg
5. Oh my God! – Moniker
6. Indestructible – Robyn
7. Price tag – Jessie J
8. F***in perfect – Pink
9. Like a prayer – Jay Smith
10. White light moment – Tove Styrke
11. Idiot – Lena Philipsson
12. 25 – Oskar Linnros
13. What the hell – Avril Lavigne
14. Heart and I – Robbie Williams
15. Loca – Shakira feat Dizzee Rascal
16. Are you leaving – Erik Hassle
17. Alive – Linda Pritchard
18. Desperados – Pernilla Andersson
19. The king – Playtones
20. 7 days and 7 nights – Brolle
21. I’m in love – Sanna Nielsen
22. E de fel på mej – Linda Bengtzing
23. Spring för livet – Sara Varga
24. Popular – Eric Saade
25. S&M – Rihanna
26. Me and my drum – Swingfly feat Christoffer Hiding
27. My heart is refusing me – Loreen
28. Hold it against me – Britney Spears
29. Higher – Taio Cruz feat Travie McCoy
30. Yeah 3x – Chris Brown
31. Dance alone – Love Generation
32. Baksmälla – Petter & September
33. Blow – Kesha
34. Just can’t get enough – Black Eyed Peas
35. Rocketeer – Far East Movement feat Ryan Tedder
36. I just had sex – Lonely Island feat Akon
37. More – Usher
38. Turn around – Flo Rida
39. Please don’t go – Mike Posner
40. Invincible – Tinie Tempah feat Invincible
41. Follow me home – Killabite
42. Animal – Neon Trees
43. The hunter – Melody Club
44. Like suicide – Christian Walz
45. I’m so happy – Salem Al Fakir feat Josephine Bornebusch
46. Jag vet vilken dy hon varit i – Håkan Hellström

It’s 46 songs, not bad you say, but take a look at the lineup again,
how many of these are songs that you actually would like to have in
your collection? For me, there are 1 song (maybe 2 if i stretch it)
and I will push it, its “Lonely Island Feut Akon – I just had sex”

But if I buy this cd, I will be paying off both Håkan Hellström
(in my eyes, a swedish version of the plague) and Britney Spears
(The american version of the plague) aswell as Salem Al Fakir. Nothing
personal about him, but …. no, i wont even start because I wouldn’t be
able to stop.

Now the price for this setup is as follows: (note that I am not a record
company executive, so I cant tell if these are actual numbers or not.)
Lets assume for simplicity that the artists on the disc will share what
the price is for the disc, IE not calculating store profit, cost for
packaging etc etc etc.

The CD in itself is 159 SEK, estimates to roughly 18-20 dollars.
There are 46 tracks. So, 159 divided by 46 is 3.45andalotomoredecimals.
So each artist is entitled to 3.45 per song. Some of these have dual
artists, so then divide 3.45 into with two (you have a calculator on your
computer, you do the math here) 3.45 ish or half of that per song…
3.45 is about 53 cent or thereabouts.

Now lets bring in the price for shipping, subract VAT (moms) and also,
the cut for the record companies and I am pretty damn sure that the take
would be a lot smaller, probably around half or even a third of those 53
cent so we are below 25 cent per sold disc per artist. And they think
iTunes is a leech? I dont know how much iTunes takes to list a song, but
I pretty much guess that at 99 cent per song, the artist will earn more per
sold song then these “collection CDs”

So .. since the price of this collection CD is about the same as a standard
one artist full length CD, it is still the same equation when you take in
effect that I mostly do not want ALL songs on a disc, there are 1 or 2 that
I really want. So, I have to by 12 pieces of what I consider to be crap
to get those songs. Not bloody likely. I would then rather listen to the
song through youtube or spotify, but guess what …. that is getting restricted
so, I am relegated to using iTunes or piracy, or if the device I choose
to listen to has streaming capabilities, spotify.

Now who is the leech? Itunes, or the record companies?

Controlfreaks with power

Controlfreaks with power

So, I guess that you have noticed the changes that takes place on all the services that enables you to stream media from their sites. I am talking about Spotify, Youtube and similar services that used to be great, but is in the range of “OK” services.

Why has it lowered itself in my opinions? Well, censorship naturally.
How often havent you made a list on youtube that you liked with various clips and after a few days, this list has been totally cut asunder due to the fact that you live in a region where this clip is not allowed to be shown?

You would think that the exposure that the artist and companies gets via the Youtube movie might be worth something, after all, its free PR, but no, apparently we are to be controlled as to what we are allowed to see. On top of that, there are services that are not even dependant on uploading from users, such as spotify, where lists get thrown off just because this month, this tune is removed and so on and so forth. What the hell? After all, spotify is actually a legit service and in a large part RUN by the same record companies that owns the copyright to this particular song.

Now, I can understand some of it, as in if people upload entire episodes of TV shows, or entire movies, but
what the hell? Removing things for the sake of being able to? Isn’t that really just another form of abuse?
There is a fair use policy, and I can understand that part aswell, where you only use parts of a song or
stuff like that, but let me give you a very good example.

There is a pretty popular oriental kids show, probably japanese but I am not sure, called “Pythagoras Switch”
They made their own little hit with The logical march, you can google it if you wish, and a friend of mine, Physica
together with one of his friends, made a complete remix of the logical march into a techno thing, and uploaded
it to youtube. Basically the video was cut to shreds, audio transformed and the original credits was still intact
BUT it still got removed. Why? Because they could.

There needs to be a change in how copyright is upheld and how it is to be maintained and soon.
Pirate parties are springing up in several nations and that alone should tell the companies that
people are getting sick and tired of being run over for the sake of profit when it comes to creativity.

Just my thoughts.

Going back a step

In my previous post, I railed some at the
people at spotify for not providing a client
for the windows mobile. I then got a mail
from a reader that wanted to know where to
get the “hacked together” client. I dare say that
the client does not look like something thats
hacked together but rather like a piece of
software that can be a complement to my phone.

The program is called “mySpot” and can be
found here:
http://forum.xda-developers.com/showthread.php?t=580208
on the XDA Developers site. It lacks
some things such as spotify’s own
“offline listen”  but hey, if you have a good
dataplan or access to a wifi, whats the problem?

This is however NOT a free ticket to premium
spotify, you will still need to have a premium
account to be able to access it from your mobile, but still.

The development on this seems to have been progressing faster then spotify’s own development
for a windows mobile client, and they have, hopefully, more then a single programmer
AND access to the source code to use as reference. The guy who has made this program
probably reverse engineered the spotify client for PC to get this together and frankly,
theres a lot of cudos for him in this.

Soooo, Spotify, hows things going?

And I dont mean that in a general sense, because there is something specific that I want. When can I get this?!?
Namely Spotify for my cell phone. The image you see here is of a Samsung Omnia I900
that uses Windows Mobile 6.1 One of the pretty easy OS’es to code for really, however
I am guessing that Microsoft has some fingers in the game in all of this wich makes
it harder for the guys at spotify to create a client for it. But come on, can easily, in my
circle of friends, count 5 that has windows based cellphones just because we dont want to
A: Get shafted by Apple and locked down to them to be able to use any software or B:
Simply the feel of the Windows Mobile that you have gotten used to.

However, now spotify is available for Android, Iphone and Symbian. How about
giving me the excuse to get my premium account? Right now the only difference
between the 99 SEK version and free version for me is that 1 contains commercials
and the other dont. So, for me theres not really a viable thing to put my money
into since even with the commercials, its still better then radio.

I dont really see the pain in getting something ready from spotify to windows mobile
systems, seeing that there are actually people that has made their own applications
that does just that. Stream to your windows mobile phone. It still requires premium
account and I can live with that, I still think its weak that the inhouse programmers
is slower then someone who does not have direct access to the source code tho, and
that is what really gets me going.